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Percepcijas sliek\u0161\u0146i<\/strong><\/p>\n \u201cPercepcijas sliek\u0161\u0146i\u201d iez\u012bm\u0113 vietu, kur pasaule v\u0113l nav piln\u012bb\u0101 izteikta \u2014 kur redzamais tikai s\u0101k par\u0101d\u012bties, un t\u0101 noz\u012bmi var tikai nojaust. T\u0101 ir robe\u017ezona, kur\u0101 uztvere nav l\u012bdz galam defin\u0113ta, bet ir dz\u012bva, kust\u012bga un atv\u0113rta.<\/p>\n Lai sasniegtu \u0161\u0101du st\u0101vokli, \u013coti b\u016btiski ir apst\u0101ties, b\u016bt klusum\u0101. Klusums nav tuk\u0161ums. Tas ir sabiez\u0113jums \u2014 telpa, kur\u0101 pasaule k\u013c\u016bst tuv\u0101ka \u0137ermenim un uztvere as\u0101ka. Skat\u012b\u0161an\u0101s vairs nav tikai redz\u0113\u0161ana, bet piesk\u0101riens: acs sastop virsmu, gaismu, att\u0101lumu, un \u0161aj\u0101 sastap\u0161an\u0101s br\u012bd\u012b s\u0101k veidoties jauna telpa. Izst\u0101de ir aicin\u0101jums ieiet \u0161\u0101d\u0101 st\u0101vokl\u012b.<\/p>\n Darbi balst\u012bti v\u0113rojum\u0101 un kl\u0101tb\u016btn\u0113. Tie nav m\u0113\u0123in\u0101jumi att\u0113lot ainavu k\u0101 redzamu formu, bet dr\u012bz\u0101k pieredzi \u2014 mirk\u013cus, kuros laiks pal\u0113nin\u0101s un uztvere k\u013c\u016bst dzi\u013c\u0101ka.<\/p>\n Gleznas tapu\u0161as Tukuma apk\u0101rtn\u0113 \u2014 viet\u0101, kur klusums v\u0113l ir iesp\u0113jams. Tur glezno\u0161ana sapl\u016bst ar esam\u012bbu: b\u016bt dab\u0101, b\u016bt ar audeklu, b\u016bt laik\u0101 un \u0101rpus t\u0101.<\/p>\n Izst\u0101d\u0113 apvienoti jaun\u0101kie darbi un gleznas, kas tapu\u0161as agr\u0101k. Tie veido vienotu veselumu.<\/p>\n Klusums, t\u0101pat k\u0101 gaiss vai \u016bdens, ir b\u016btisks. Ta\u010du tas prasa uzman\u012bbu un gatav\u012bbu atk\u0101pties.<\/p>\n Skat\u012bt\u0101js tiek aicin\u0101ts ne tikai skat\u012bties, bet ar\u012b palikt \u2014 pavad\u012bt laiku, apst\u0101ties un sastapt sevi klusum\u0101.<\/p>\n \u00a0<\/strong><\/p>\n Anita In\u0161a<\/strong><\/p>\n Anita In\u0161a ir latvie\u0161u m\u0101ksliniece un pedago\u0123e, kuras rado\u0161\u0101 darb\u012bba aptver glezniec\u012bbu, ilustr\u0101ciju un dizainu. Vi\u0146as darbos savienojas vizu\u0101la jut\u012bba, simboliska dom\u0101\u0161ana un personiska pieredze, radot nians\u0113tu un emocion\u0101li pies\u0101tin\u0101tu m\u0101ksliniecisko valodu.<\/p>\n M\u0101ksliniece ieguvusi bakalaura un ma\u0123istra gr\u0101du Latvijas M\u0101kslas akad\u0113mij\u0101, stud\u0113jot glezniec\u012bbu pie profesoriem Kristapa Zari\u0146a un Imanta Vecozola, k\u0101 vad\u012bb\u0101 ar\u012b\u00a0 izstr\u0101d\u0101jusi diplomdarbu. Papildus tam ieg\u016bts profesion\u0101lais ma\u0123istra gr\u0101ds izgl\u012bt\u012bb\u0101 Daugavpils Universit\u0101t\u0113, kas b\u016btiski ietekm\u0113jis vi\u0146as ilgsto\u0161o pedago\u0123isko darbu.<\/p>\n Kop\u0161 2008. gada Anita str\u0101d\u0101 M\u0101ras Mui\u017enieces R\u012bgas M\u0101kslas skol\u0101, kur \u0161obr\u012bd ie\u0146em direktora vietnieces amatu izgl\u012bt\u012bbas jom\u0101. Paral\u0113li pedago\u0123iskajai darb\u012bbai vi\u0146a akt\u012bvi turpina rado\u0161o praksi un piedal\u0101s izst\u0101d\u0113s Latvij\u0101.<\/p>\n Kop\u0161 1989. gada m\u0101ksliniece regul\u0101ri piedal\u0101s grupu izst\u0101d\u0113s, k\u0101 ar\u012b r\u012bkojusi person\u0101lizst\u0101des. Noz\u012bm\u012bg\u0101k\u0101s izst\u0101des notiku\u0161as Mencendorfa nam\u0101, Akur\u0101tera muzej\u0101, galerij\u0101 \u201cBastejs\u201d, k\u0101 ar\u012b da\u017e\u0101d\u0101s instit\u016bcij\u0101s un kult\u016bras telp\u0101s. Vi\u0146as darbi biju\u0161i iek\u013cauti ar\u012b starptautiskaj\u0101 projekt\u0101 Imago Mundi Latvija, <\/em>darbi atrodas priv\u0101tkolekcij\u0101s Latvij\u0101 un \u0101rzem\u0113s.<\/p>\n Laika gait\u0101 m\u0101ksliniece att\u012bst\u012bjusi ar\u012b ilustr\u0101cijas un gr\u0101matu dizaina jomu, sadarbojoties ar vair\u0101k\u0101m Latvijas izdevniec\u012bb\u0101m (\u201cAGB\u201d\u2019, \u2018\u2019Annele\u2018\u2019,\u00a0 Zin\u0101tne\u2019\u2019, u.c.) .<\/p>\n <\/p>\n Thresholds of Perception<\/strong><\/p>\n \u201cThresholds of Perception\u201d marks a place where the world is not yet fully expressed \u2014 where the visible is only beginning to emerge, and its meaning can only be guessed. It is a border zone where perception is not fully defined, but is alive, moving, and open.<\/p>\n To achieve such a state, it is very important to stop, to be silent. Silence is not emptiness. It is a thickening \u2014 a space where the world becomes closer to the body and perception becomes sharper. Looking is no longer just seeing, but touching: the eye encounters surface, light, distance, and at this moment of encounter a new space begins to form. The exhibition is an invitation to enter this state.<\/p>\n The works are based on observation and presence. They are not attempts to depict the landscape as a visible form, but rather experiences \u2014 moments in which time slows down and perception becomes deeper.<\/p>\n The paintings were created in the vicinity of Tukums \u2014 a place where silence is still possible. There, painting merges with existence: being in nature, being with the canvas, being in time and outside of it.<\/p>\n The exhibition brings together recent works and paintings from earlier times. They form a unified whole.<\/p>\n Silence, like air or water, is essential. But it requires attention and a willingness to step back.<\/p>\n The viewer is invited not only to look, but also to stay \u2014 to spend time, to stop and encounter themselves in silence.<\/p>\n <\/p>\n Anita In\u0161a<\/strong><\/p>\n Anita In\u0161a is a Latvian artist and teacher whose creative work encompasses painting, illustration and design. Her works combine visual sensitivity, symbolic thinking and personal experience, creating a nuanced and emotionally saturated artistic language.<\/p>\n The artist has obtained a bachelor’s and master’s degree from the Latvian Academy of Arts, studying painting with professors Kristaps Zari\u0146\u0161 and Imants Vecozols, under whose guidance she also developed her diploma thesis. In addition, she has obtained a professional master’s degree in education from Daugavpils University, which has significantly influenced her long-term pedagogical work.<\/p>\n Since 2008, Anita has been working at the M\u0101ra Mui\u017eniece Riga Art School, where she currently holds the position of deputy director in the field of education. In parallel with her pedagogical work, she actively continues her creative practice and participates in exhibitions in Latvia.<\/p>\n Since 1989, the artist has regularly participated in group exhibitions, as well as organized solo exhibitions. The most significant exhibitions have taken place at the Menzendorf House, the Akur\u0101ters Museum, the Bastejs Gallery, as well as in various institutions and cultural spaces. Her works have also been included in the international project Imago Mundi Latvia, and her works are in private collections in Latvia and abroad. Over time, the artist has also developed the field of illustration and book design, collaborating with several Latvian publishing houses (\u201cAGB\u201d, \u201cAnnele\u201d, Zin\u0101tne\u201d, etc.).<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Percepcijas sliek\u0161\u0146i \u201cPercepcijas sliek\u0161\u0146i\u201d iez\u012bm\u0113 vietu, kur pasaule v\u0113l nav piln\u012bb\u0101 izteikta \u2014 kur redzamais tikai s\u0101k par\u0101d\u012bties, un t\u0101 noz\u012bmi var tikai nojaust….<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-733","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/pages\/733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artistanita.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=733"}],"version-history":[{"count":1,"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/pages\/733\/revisions"}],"predecessor-version":[{"id":734,"href":"https:\/\/artistanita.com\/index.php?rest_route=\/wp\/v2\/pages\/733\/revisions\/734"}],"wp:attachment":[{"href":"https:\/\/artistanita.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}